Selected recent solo shows and public art events
2022
– #OneLove, MUDEC Museo delle Culture, Milan/I (curated by Katya Inozemtseva)
2021
– Orgasmatron Redux, Serre dei giardini Margherita, Bologna/I
2019
– Loony Park, Contemporary Locus, Gallerie Mercatali, Verona/I (curated by Paola Tognon)
– Flights 2000-2019, T923 gallery, Rome/I
2018
– Blow Up, Contemporary Locus 13, former taxi telephone booth, Bergamo/I (curated by Paola Tognon)
2017
– The Soft Machine, Marsélleria, Milan/I (in collaboration with Aldo Lanzini De Agostini Aviance)
– Scene with ShyBot, The Lab, San Francisco/US (curated by Dena Beard and Marina Pugliese)
2013
– Blind Trust, Schirn Kunsthalle, Frankfurt/D (curated by Matthias Ulrich)
2012
– Because of Love, in “Post Narrative”, Culture Station 284, Seoul/K (curated by Haeju Kim)
– Naked Lunch/The Dark Room Enlightened, in “Involver”, Socle du Monde Biennale, Herning/DK (curated by Holger Reemberg)
2011
– Be Another You, in “For Real!”, Objectif Exhibitions, Antwerp/B (curated by Mai Abu ElDahab, Tim Etchells, Norma Jeane)
2010
– Der Schlafraum, in “For Real!”, Sankt Gallen/CH (curated by Maren Brauner, Giovanni Carmine, Norma Jeane)
2009
– Sleeping Beauty Goes Wild, La Friche–La Belle de Mai, Marseille/F (curated by Sextant et plus)
2008
– The Straight Story, Frieze Projects 2008, Frieze Art Fair, London/UK (curated by Neville Wakefield)
– Black Market, Kunsthalle St. Gallen, St. Gallen/CH (curated by Norma Jeane)
– Potlatch 13.3/The Homeland Session, SMAT-Società Metropolitana Acque Torino, Turin/I
– Once Again, Again, watch for the Swatch Club Artist Watch collection, Biel-Bien/CH
2007
– The Naked Brunch, project for KAISERIN-a magazine for boys with problems, Issue 02 – pp. 74-80, Ed. KAISERIN, Lyon/F
– Self-Sufficient Love, project for Evolution de l’Art Gallery, Bratislava/SK (curated by Juraj Carny, Diana Majdakova, Lydia Pribisova and Cesare Pietroiusti)
2006
– Heaven Can Wait, in “Visions of Paradise”, Swiss Institute, Rome/I (curated by Karin Frei and Domenico Lucchini)
2005
– BODY PROXY/part 3, Kunstverein, Freiburg/D (curated by Giovanni Carmine)
– BODY PROXY/part 2, Swiss Institute, New York/US (curated by Giovanni Carmine)
– Factory, ten series Tv program, Cult Network (curated by Bartolomeo Pietromarchi)
2004
– BODY PROXY/part 1, Helmhaus, Zurich/CH (curated by Giovanni Carmine)
2003
– Pollock, the Fractals and the Mind, Economics Department, Trento University, Trento/I
2002
– Sustainable Underdevelopment, in “Unloaded. Coming Up for Air”, Oberschan- Wartau/CH (curated by Giovanni Carmine and Katerine Hug)
– Amusing Ourselves to Death or The Circus Reversed, in “Batofar rencontre l’Italie”, Batofar, Paris/F (curated by Xing)
2001
– Amusing Ourselves to Death or The Circus Reversed, in “Tempo Reale”, Termini Railway Station, Rome/I (curated by Bartolomeo Pietromarchi)
– Red Sweet Crush, in “Lecture Lounge vol.1”, Clocktower Gallery, New York/US (curated by Angelika Middendorf and Andreas Schimanski)
– International Flight, coffee cups for the Illy Artist Collection, Trieste/I
Selected recent group shows
2022
– Self, in “From Spark to Spirit” – Noor Riyadh Light Festival, Riyadh/KSA (curated by Neville Wakefield and Gaida Almogren)
2021
– The Principle of Hope Group Exhibition, Inside-Out Art Museum, Beijing/CHI (curated by Huang Wenlong, Liang Chouwa, Yin Shuai, Jerome Zhang, Scarly Zhou, Zhu Siyu)
– Oasis, Estonian Museum of Architecture, Tallinn/EW (curated by Irma Arribas, Erich Weiss)
– Blow out, Biennolo 2021, Milano/I (curated by Matteo Bergamini, Rossana Ciocca, Gianni Romano, Carlo Vanoni)
2020
– Body of Building, in “Fuori” – XVII Quadriennale di Roma 2020-2021, Rome/I (curated by Sara Cosulich and Stefano Collicelli Cagol)
2018
– 1iJ, EKKM Museum, Tallinn/EW (curated by Ekaterina Scherbakova)
– Artobots, Festival of art and robotics organized by CODAME, San Francisco/US (curated by Vanessa Chang)
2017
– DESERT X Biennial, Palm Springs /Coachella Valley (CA)/US (curated by Neville Wakefield)
2015
– FOMO, La Friche–La Belle de Mai, Marseille/F (curated by Caroline Hancock, Natalie Kovacs, Véronique Collard-Bovy, Léo Guy-Denarcy)
2014
– A Needle Walks into a Haystack, 8th Liverpool Biennial, Liverpool/UK (curated by Mai Abu ElDahab and Anthony Huberman)
2013
– Internaturalità, PAV, Turin/I (curated by Claudio Cravero)
2011
– ILLUMInations, 54th International Art Exhibition of the Venice Biennale, Venice/I (curated by Bice Curiger)
– Involuntary, fordPROJECT, New York/US (curated by Neville Wakefield)
– La Part manquante, Galerie Michel Journiac UFR 04 Université Paris 1, Paris/F (curated by the students of the Master in “Sciences et Techniques de l’exposition”)
2009
– Spy Numbers, Palais de Tokyo, Paris/F (curated by Marc-Olivier Whaler)
– Un plan simple, Maison Populaire, Paris/F (curated by Le Bureau)
2008
– Faites vos je, La Friche – La Belle de Mai, Marseille/F (curated by Sextant et plus)
– Greenwashing, Fondazione Sandretto Re Rebaudengo Turin/I (curated by Ilaria Bonacossa and Latitudes-Max Andrews & Mariana Cánepa Luna)
– Here Come the Rolling Bones, Studio Matteo Boetti, Rome/I (curated by Benedetta di Loreto)
2007
– 00s, 9th Lyon Biennial, Lyon/F (curated by Stéphanie Moisdon and Hans Ulrich Obrist)
2006
– Young Italian Artists at the Turn of the Millennium, Galleria Continua, Beijing /CHI
– Hysteria Siberiana, Cristina Guerra Contemporary, Lisbon/P (curated by Marc-Olivier Whaler)
– Private, via degli Scipioni 295, Rome/I (curated by Benedetta di Loreto)
2005
– Rundlederwelten, Martin-Gropius Bau, Berlin/D (curated by Dorothea Strauss)
– Zero Interest!, Galleria Civica d’Arte Contemporanea, Trento/I (curated by Pierluigi Sacco and Marco Senaldi)
2002
– Tempo, MoMA, New York/US (curated by Paulo Herkenhoff, Roxana Marcoci and Miriam Basilio)
2001
Strangers/Etrangers, PS1 Institute for Contemporary Art, New York/US (curated by Paulo Herkenhoff)
Articles, reviews and essais have been published in: Artforum, Tate Etc., Frieze, Flash Art, Art – Das Kunstmagazin, The Art Newspaper, The New York Times, Los Angeles Times, The Guardian, The Sunday Times, The Financial Times, Telegraph, Evening Standard, Tages Anzeiger, Le Monde, Libération, La Repubblica, Vogue, L’Espresso, Wired, Dazed & Confused, Wallpaper and others.
Most of the shows were accompanied by a catalogue, and an in-depth monograph about Norma Jeane was published By JRP/Ringier in 2004 with the title Norma Jeane – Body Proxy.